Mark Daniels Email & Phone Number | Mark Daniels’ first directorial effort, a life of The American Fireman (1978) played international festivals and was exhibited at the International Center of Photography in New York. His feature The Influence of Strangers (1987) won the Joseph Von Sternberg Prize in Mannheim, a Golden Gate Award in San Francisco and was featured in the inaugural program of The American Museum of the Moving Image. Classified X, a 1998 Sundance Film Festival selection, won Best Documentary at the Human Rights Watch and Urbanworld festivals among numerous prizes. Daniels wrote and directed the feature-length doc, Enemy Image (2005), on the history of the image of war on American television. The script won the Olivier Masson development prize at the 2002 Sunny Side of the Doc. Generation Yamakasi (2006), won a prize at the Festival di Palazzo Venezia, Rome and has become a landmark document of the Parkour movement. More recent films (writer/director/cameraman) include Comic Books Go To War (2009), Best Reportage at the Montreal International Festival for Film on Art and nominated for a Europa Prize; The Strange Disappearance of the Bees (2010), Etoile de la SCAM and Best Director (Nature) at the Sichuan TV Festival. His feature length docu-fiction La Statue de la Liberte, Naisance d’un symbole was broadcast on ARTE to critical acclaim. Two other docu-fictions followed: Leonardo - The Man Who Saved Science, broadcast on PBS, France 5 among others and selected for the Paris Science Film Festival, and Le Versailles Secret de Marie-Antoinette for Arte. DP credits include films by Yvonne Rainer, Sheila McLaughlin, Mabou Mines and other NY independents; episodes for NOVA; Music for the Movies: Bernard Herrmann (1992), nominated for an Academy Award; Azul by Roland Legiardi-Laura; From the Journals of Jean Seberg, by Mark Rappaport, LA Critics' Prize best doc of 1996; East Side Story, by Dana Ranga and Andrew Horn one of Time Magazine’s 10 best films of 1997. The Nomi Song by Andrew Horn (2001), and Horn’s We are Twisted Fucking Sister. Recent docs include Raising Notre Dame, in post-production and Masha, in production. From 1995 to 1999 he taught film production and film theory at William Paterson University as a Professor of Film.

Mark Daniels

Mark Daniels’ first directorial effort, a life of The American Fireman (1978) played international f...
Greater Paris Metropolitan Region, Greater Paris Metropolitan Region, France

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Mark Daniels’s Email mdaniels@free.fr

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Mark Daniels’s Location Greater Paris Metropolitan Region, Greater Paris Metropolitan Region, France

Mark Daniels’s Current Industry Self Employed

Mark Daniels’s Prior Industry Gala Films | William Paterson University College Of Education

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Work Experience

Self Employed

Writer, Director, Cameraman

1976-09-01 00:00:00 - Present

Reciprocal Films

Director/Cameraman/Writer

Present

Gala Films

Director

2009-01-01 00:00:00 - 2009-01-01 00:00:00

William Paterson University College Of Education

Professor Of Film

1995-09-01 00:00:00 - 1999-07-01 00:00:00

Skills

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Languages

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FAQ About Mark Daniels

Mark Daniels is located at
Greater Paris Metropolitan Region, Greater Paris Metropolitan Region, France

Mark Daniels is a Mark Daniels’ first directorial effort, a life of The American Fireman (1978) played international festivals and was exhibited at the International Center of Photography in New York. His feature The Influence of Strangers (1987) won the Joseph Von Sternberg Prize in Mannheim, a Golden Gate Award in San Francisco and was featured in the inaugural program of The American Museum of the Moving Image. Classified X, a 1998 Sundance Film Festival selection, won Best Documentary at the Human Rights Watch and Urbanworld festivals among numerous prizes. Daniels wrote and directed the feature-length doc, Enemy Image (2005), on the history of the image of war on American television. The script won the Olivier Masson development prize at the 2002 Sunny Side of the Doc. Generation Yamakasi (2006), won a prize at the Festival di Palazzo Venezia, Rome and has become a landmark document of the Parkour movement. More recent films (writer/director/cameraman) include Comic Books Go To War (2009), Best Reportage at the Montreal International Festival for Film on Art and nominated for a Europa Prize; The Strange Disappearance of the Bees (2010), Etoile de la SCAM and Best Director (Nature) at the Sichuan TV Festival. His feature length docu-fiction La Statue de la Liberte, Naisance d’un symbole was broadcast on ARTE to critical acclaim. Two other docu-fictions followed: Leonardo - The Man Who Saved Science, broadcast on PBS, France 5 among others and selected for the Paris Science Film Festival, and Le Versailles Secret de Marie-Antoinette for Arte. DP credits include films by Yvonne Rainer, Sheila McLaughlin, Mabou Mines and other NY independents; episodes for NOVA; Music for the Movies: Bernard Herrmann (1992), nominated for an Academy Award; Azul by Roland Legiardi-Laura; From the Journals of Jean Seberg, by Mark Rappaport, LA Critics' Prize best doc of 1996; East Side Story, by Dana Ranga and Andrew Horn one of Time Magazine’s 10 best films of 1997. The Nomi Song by Andrew Horn (2001), and Horn’s We are Twisted Fucking Sister. Recent docs include Raising Notre Dame, in post-production and Masha, in production. From 1995 to 1999 he taught film production and film theory at William Paterson University as a Professor of Film.

Mark Daniels currently works in the Self Employed |

No Languages Available

Mark Daniels has prior
experience in the following industries:
Gala Films | William Paterson University College Of Education

Mark Daniels has the following professional experience:
Self Employed | Reciprocal Films | Gala Films | William Paterson University College Of Education