Josselin Cornillon Email & Phone Number | It was a documentary feature called 'Public house' directed by the Artist Sarah Turner. I was Camera Assistant on a Sony FS7and Camera Operator on a Canon EOS 5D Mark II. I was very interesting because it was live conditions with several cameras, sound on many locations without acting rehearsal. The Cinematographer was Nicola Daley (ASC). The Camera Operator I worked with was Matthew Walter.I was 2nd A.C. on a short. It was the first I worked with an ALEXA M so it was very interesting but not very convenient actually. The Cinematographer was Alex Grigoras. The 1st A.C. was Jackie Teboul.I was 1st AC on a short made for Fitnext promotion. The DOP was Arthur Cemin and we shot with a Red Epic and a M10 Movi which was very interesting.I was 2nd AC/digital loader on a short which was planned to be projected during a dance show to create interaction between the short and the show. It was very interesting for the stageplay. We shot in Sony F55.I was camera B operator on a Algerian TV film. I had the chance to work with the DOP Allel Yahiaoui who learnt me a lot; it was very interesting!. I was DIT Assistant for the day of shooting. DIT: Peter Welch (GBCT, GTC).I was assisting both DIT and Video Departments for 4 days. DIT: - Quentin Brown (GBCT, Digital Orchad) - Stephan Bookas (Digital Orchad) Video Operator: Steve Casali. I was 1st AC on a short filmed in the old BBC Television Center location. This short was one of the four shorts shot to take part of a global project. It was a little stressful because the Black Magic died without reason after 4 takes so we ended with a Canon C100 with Canon lenses wich means no possible marks. I shot everything on the screen and I'm happy because it went well. The Cinematographer was Simona Susnea.I was 2nd AC on short film shot in Alexa and directed by Isabella Wing-Davey. It was really interesting because in was in old time costumes and we were in a amazing location: Wentworth Woodhouse and around. So it was difficult but great conditions. The Cinematographer was Neus Olle (AEC). The 1st AC was Sonia Rodriguez.I was 1st AC/digital loader on a short filmed in Canon C100. The Cinematographer was Jamie Coote.I was 1st AC/digital loader on a Gilles SERRAND self-produced short which will be broadcasted on France 2. The DOP was Olivier Tresson and the camera operator was Fanny Dujardin.I was 2nd AC/digital loader on a video clip for Dub Incorporation band. It was interesting because we did it all in green screen with a RED Epic.I was camera assistant for fragrance creators interviews for a contest organized by Mercedes.I was 1st AC/digital loader on a video clip for DD's Brothers band in the Dinemec studios in Switzerland. It was very interesting: we used a Nikon D800 with an external recording ATOMOS, a crane and motorized head which would make the same motion again and again for editing special effects.It was my second 1st AC experience. We shot in Red Epic with RED Pro Prime lenses.It was my third 1st AC experience and my first one with a steadycam. I worked with a director from the Ecole de la Cite and a DOP from the FEMIS so it was very interesting to work with student from both famous schools. We shot in Canon C300 with Canon Prime lenses.Camera tests on ARRI Alexa. 1st AC : Mathilde Cathelin (AOA) 2nd AC : Benoit Meignan. Camera tests on ARRI Alexa. 1st AC : Isabelle Duquesnoy 2nd AC : Margot Bernard. It was a video clip for the Chaos Clan band. I was 2nd AC/digital loader on a RED One-MX. It was very because we were initially in an empty barn and the Art Department just made an amazing work!. It was my first experience as a 1st AC so it was very interesting. Arthur Schwarz (the DOP) is a member of the french camera assistant association, the AOA (Assistants Operateur Associes). He was very kind and patient and he learnt me a lot of things. We shot with a Sony F3 with Leica Summilux-C lenses.It was a corporate video explaining the process of a vaccine fabrication. I was assisting the DOP on puting the light and take the material so it was not complicated. Funny thing, the DOP was the creator of the website www.nanarland.com ^^.It was the first time I worked with a Nikon D800.I worked as a stock-controller in the Camera Department. It was very interesting because I could handle a lot of professional equipment and I could meet many camera assistants.It was a low-budget self-produced short so it was hard because I was the only technician. But it was very interesting because it learnt me a lot about the light and the way of managing a director with many great ideas but no set experience. I shot with a Canon 5D Mark III.I made one week of DIT/Data manager course teached by Matthieu STRAUB (ADIT). We worked on a Tangent Devices Wave and the following softwares: - Silverstack (Pomfort), - ShotPut Pro (Imagine Products), - Media Express (Blackmagic Design), - Livegrade (Pomfort), - SCRATCH Lab (Assimilate Inc), - DaVinci Resolve (Blackmagic Design).I had to save and secure ARRI Alexa dailies for a 3 days short.I was projectionnist on a small cinema. It was very interesting because I worked on the last step of a cinema production. I worked one year with a film projector (PHILIPS-CINEMA 3837) and one year with a digital one (CHRISTIE CP2220).Once again, I shot for the Fowatile band; they were playing with the jazzman Tigran Hamasyan on the off Jazz a Vienne festival. It was very interesting: live conditions weren't easy because of the small size of the place and the large crowd but it was a very rewarding experience.During two years, I regulary made video recording of events (music, dance, theatre). It learnt me a lot about using a camera technically and artistically.I was in charge of saving and secure dailies (with Fireshoot software) on the short "Le Grand Combat" (The Big Fight). I also used to make down conversions for the director, the continuity-girl and the cinematographer so they can playback scenes quickly. The short was shot in 3D with two Red Epic, which allowed me to learn how to use RedCine Pro X software.I shot a concert of Fowatile band for their album release. It's always very intersting artistically because live conditions are spontaneous and you have to adapt on what band and public do. I shot with a Canon 5D Mark II.I was still a student at the time and I shot for three days at the convention "Le salon Octogones" in Lyon. My shots were given to "Nolife" a french TV channel to be edited and broadcasted. I shot with a Sony PD150.It was a demonstration video about Felix skills on weapons manipulation made at La Demeure du Chaos. I was in charge of creating the light with only fire. It was a very interesting experience.I was a camera assistant during "La fete des Lumieres" in Lyon. It was my first student course. I helped the camera operator by taking the tripod for instance and I started to learn camera things. We went on the top of one of the fourth tower of the Basilica of Fourviere and once there, in the highest point of Lyon, watching all the city enlighted from a point of view inaccessible to the public, I realized that was what I really wanted to do.DIT: Harry Bennett-Snewin. DIT: Paul Deane. DIT: Stephan Bookas. Video Operator: Dominic Rau. Main Unit Video Operators: - Tom Elgar - Steve Petrie 2nd Unit Video Operator: Dan Hartley. DIT: Mustafa Tyebkhan DIT Assistant: Alex McCormack. DIT: Mustafa Tyebkhan. DIT: - Gastone Ferrante - Ollie Hadlow-Martin. DIT: Gastone Ferrante Data Manager: Andrea Michelon. DIT: - Mustafa Tyebkhan - Gastone Ferrante. Video Operator: Steve Casali Video Assistant: Adam Forrest. 1 day of prep. DIT: Peter Welch (GBCT, GTC).1 day of technical tests. DIT: Peter Welch (GBCT, GTC).I worked for a week with the ARRI Vault to save and secure the footage. DIT: Peter Welch (GBCT, GTC).I was DIT Assistant during two weeks on the additional photography. DIT: Peter Welch (GBCT, GTC).2 dailies on technical tests. DIT: Peter Welch (GBCT, GTC).15 dailies. DIT: Peter Welch (GBCT, GTC).I was 2nd AC on a student short. It was amazing because we shot in ARRICAM ST, which was my first experience in film! The Cinematographer was Simon Shen. The 1st AC was Chris Steel.It was very interesting to learn how things can be different between France and UK. We worked with a Sony F5. The Cinematographer was Jackie Teboul. The 1st ACs were Anais Lorie and Nicholas Nazari.It was a commercial shot on green screen with a Red Scarlet. I was 2nd AC. The DOP was Florent Huot de Saint Albin. The 1st AC was Florent Anglade.I regulary worked in Euronews for almost two years in two different department : diffusion and technical support. On the first one, I prepared subjects which were broadcasted. For instance I mixed the level of journalists voices, I down-converted subjects for the final diffusion, I checked that there was no problems on videos. On the second department, I helped to resolve all kind of internal problems : a TV which has to be set up, a video conference camera needed to be installed, change devices, prepare news rooms for news foreign journalists by installing cables, computer... It's been very interesting technically and learnt me a lot.RF Consultant: Peter Welch RF Technicians: - Ian Bennett - Chris Cobb - Rob Walker. Offloading / Transcoding footage for Junior Williams Video Clip. DIT: Joshua Callis-Smith. Offloading / Securing rushes on LTOs. DIT: Chris Belcher. DIT: Ash Daniyan (Mission Digital). I was a Junior Technician at Camera Facilities, a rental company where I help preparing and delivering orders in one hand and work on Productions as a DIT Assistant in the other hand. DIT: Peter Welch (GBCT, GTC).I was DIT Assistant for a week. DIT: Peter Welch (GBCT, GTC).I'm in a Work Experience for 3 weeks in ARRI.Camera tests on RED Dragon and RED Epic anamorphic lenses. 1st AC : David Reinhard (AOA) 2st AC : Adrien Guillaume (AOA). Camera tests on ARRI Alexa. 1st AC : Franck Leclerc. I was 2nd camera assistant on a documentary-feature about the Hellin Tamborada in Spain. We didn't have much money so we had to think on ways to obtain results with few resources. It was very interesting to work in Spain.

Josselin Cornillon

It was a documentary feature called 'Public house' directed by the Artist Sarah Turner. I was Camera...
London, London, United Kingdom

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Josselin Cornillon’s Location London, London, United Kingdom

Josselin Cornillon’s Current Industry

Josselin Cornillon’s Prior Industry Amblin Partners Misbehaviour Yekaterina UK Ltd. Iconoclast Universal Pictures Paramount Pictures New Line Cinema Netflix Legendary Entertainment Millenium Films The Walt Disney Company Warner MARV BESPOKE Marmelade Film Ltd. HISTORY TV Channel Gold Circle Films Camera Facilities Ltd MGM ARRI Listeners Projects Artist Sarah Turner WIGWAM Films The London Film School Picture Imperfect London Film School Media Work Production Self-production DACOR Productions Gilles Serrand ARTBREAKERZ Compagnie DCA Vent de Sable Productions Imagista Student short film RVZ TSF Camera FORMASSON Panavision Pok Productions Label Prod Les Films de l'Aurore TSF Caméra Lapins Bleus Tinglao Films EuroNews PROSONARTE Overcom-Pictures C Ton Film Productions Nolife Idéal Cinéma CIAC (Collectif Le Monde de Félix CSProd | Productions Ltd. | | | | | | | | | | Bros. Entertainment Group of Companies | PRODUCTIONS LIMITED | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | d'Initiatives Artistiques et Culturelles) | |

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Work Experience

Amblin Partners

RF Assistant, "1917" (Tests)

2019-02-01 00:00:00 - 2019-03-01 00:00:00

Misbehaviour Productions Ltd.

Data Manager, "Misbehaviour" (1 Daily)

2019-01-01 00:00:00 - 2019-01-01 00:00:00

Yekaterina UK Ltd.

DIT Assistant, "The Great" (Splinter Unit - 1 Daily)

2018-12-01 00:00:00 - 2018-12-01 00:00:00

Iconoclast

Data Wrangler, "A Prayer"

2018-12-01 00:00:00 - 2018-12-01 00:00:00

Universal Pictures

DIT Assistant, "Hobbs & Shaw" (2nd Unit)

2018-11-01 00:00:00 - 2018-12-01 00:00:00

Paramount Pictures

DIT Assistant, "Rocketman" (Main Unit)

2018-07-01 00:00:00 - 2018-10-01 00:00:00

New Line Cinema

Junior Dailies Operator, "His Dark Materials" (10 Dailies)

2018-07-01 00:00:00 - 2018-07-01 00:00:00

Netflix

DIT Assistant, "Dark Crystal" (1 Daily)

2018-06-01 00:00:00 - 2018-06-01 00:00:00

Legendary Entertainment

Video Assistant, "Detective Pikachu" (Main / 2nd Units - 13 dailies)

2018-02-01 00:00:00 - 2018-05-01 00:00:00

Millenium Films

Data Wrangler, "Angel Has Fallen" (2nd Unit)

2018-02-01 00:00:00 - 2018-03-01 00:00:00

The Walt Disney Company

DIT Assistant, "Aladdin" (2nd Unit - 10 dailies)

2017-09-01 00:00:00 - 2017-09-01 00:00:00

Warner Bros. Entertainment Group of Companies

DIT Assistant, "Fantastic Beasts: The Crimes of Grindelwald" (2nd Unit)

2017-07-01 00:00:00 - 2017-12-01 00:00:00

MARV BESPOKE PRODUCTIONS LIMITED

DIT Assistant, "Kingsman: The Golden Circle" (Additional Photography)

2017-03-01 00:00:00 - 2017-03-01 00:00:00

Marmelade Film Ltd.

DIT/Video Assistant, "Paddington 2" (2nd Unit)

2017-01-01 00:00:00 - 2017-01-01 00:00:00

HISTORY TV Channel

DIT Assistant, "Ronnie O'Sullivan's American Huslte" (TV Promo)

2016-12-01 00:00:00 - 2016-12-01 00:00:00

Gold Circle Films

DIT Assistant, "The Commuter" (2nd Unit)

2016-09-01 00:00:00 - 2016-09-01 00:00:00

Camera Facilities Ltd

Junior Technician/DIT Assistant

2015-07-01 00:00:00 - 2016-11-01 00:00:00

MGM

DIT Trainee, "Spectre" - B24 (Main Unit / 2nd Unit / Splinter Unit)

2015-06-01 00:00:00 - 2015-07-01 00:00:00

ARRI

Work Experience

2015-05-01 00:00:00 - 2015-05-01 00:00:00

Listeners Projects

1st AC

2015-04-01 00:00:00 - 2015-04-01 00:00:00

Artist Sarah Turner

Camera Operator/Assistant Camera

2015-03-01 00:00:00 - 2015-03-01 00:00:00

WIGWAM Films

2nd AC

2015-03-01 00:00:00 - 2015-03-01 00:00:00

The London Film School

2nd AC

2015-03-01 00:00:00 - 2015-03-01 00:00:00

Picture Imperfect

2nd AC

2014-12-01 00:00:00 - 2014-12-01 00:00:00

London Film School

2nd AC

2014-11-01 00:00:00 - 2014-11-01 00:00:00

Media Work Production

2nd AC

2014-11-01 00:00:00 - 2014-11-01 00:00:00

Self-production

1st AC

2014-10-01 00:00:00 - 2014-11-01 00:00:00

DACOR Productions

1st AC

2014-09-01 00:00:00 - 2014-09-01 00:00:00

Gilles Serrand

1st AC

2014-09-01 00:00:00 - 2014-09-01 00:00:00

ARTBREAKERZ

2nd AC

2014-08-01 00:00:00 - 2014-08-01 00:00:00

Compagnie DCA

2nd AC

2014-07-01 00:00:00 - 2014-07-01 00:00:00

Vent de Sable Productions

Camera Operator / 1st AC

2014-06-01 00:00:00 - 2014-07-01 00:00:00

Imagista

1st AC

2014-05-01 00:00:00 - 2014-05-01 00:00:00

Student short film

1st AC

2014-05-01 00:00:00 - 2014-05-01 00:00:00

RVZ

Camera tests

2014-04-01 00:00:00 - 2014-04-01 00:00:00

TSF Camera

Camera tests

2014-04-01 00:00:00 - 2014-04-01 00:00:00

FORMASSON

2nd AC / Digital Loader

2014-04-01 00:00:00 - 2014-04-01 00:00:00

Panavision

Camera tests

2014-02-01 00:00:00 - 2014-02-01 00:00:00

Pok Productions

1st AC

2014-01-01 00:00:00 - 2014-01-01 00:00:00

Label Prod

Camera Assistant

2013-12-01 00:00:00 - 2013-12-01 00:00:00

Les Films de l'Aurore

Camera Operator

2013-11-01 00:00:00 - 2013-11-01 00:00:00

TSF Caméra

Stock Controller

2013-08-01 00:00:00 - 2013-11-01 00:00:00

Lapins Bleus

DIT / Data Manager Course

2013-06-01 00:00:00 - 2013-06-01 00:00:00

Tinglao Films

Digital Loader

2012-10-01 00:00:00 - 2012-10-01 00:00:00

EuroNews

Video Technician

2012-08-01 00:00:00 - 2013-05-01 00:00:00

PROSONARTE

2nd AC

2012-08-01 00:00:00 - 2012-08-01 00:00:00

Overcom-Pictures

Cameraman

2012-07-01 00:00:00 - 2012-07-01 00:00:00

C Ton Film Productions

Data Manager

2012-05-01 00:00:00 - 2012-05-01 00:00:00

Nolife

Cameraman

2011-10-01 00:00:00 - 2011-10-01 00:00:00

Idéal Cinéma

Projectionist

2010-10-01 00:00:00 - 2012-09-01 00:00:00

CIAC (Collectif d'Initiatives Artistiques et Culturelles)

Cameraman

2010-06-01 00:00:00 - 2012-06-01 00:00:00

Le Monde de Félix

Director of Photography

2010-02-01 00:00:00 - 2010-02-01 00:00:00

CSProd

Camera Assistant

2009-12-01 00:00:00 - 2009-12-01 00:00:00

Skills

No Skills Available

Languages

No Languages Available

FAQ About Josselin Cornillon

Josselin Cornillon is located at
London, London, United Kingdom

Josselin Cornillon is a It was a documentary feature called 'Public house' directed by the Artist Sarah Turner. I was Camera Assistant on a Sony FS7and Camera Operator on a Canon EOS 5D Mark II. I was very interesting because it was live conditions with several cameras, sound on many locations without acting rehearsal. The Cinematographer was Nicola Daley (ASC). The Camera Operator I worked with was Matthew Walter.I was 2nd A.C. on a short. It was the first I worked with an ALEXA M so it was very interesting but not very convenient actually. The Cinematographer was Alex Grigoras. The 1st A.C. was Jackie Teboul.I was 1st AC on a short made for Fitnext promotion. The DOP was Arthur Cemin and we shot with a Red Epic and a M10 Movi which was very interesting.I was 2nd AC/digital loader on a short which was planned to be projected during a dance show to create interaction between the short and the show. It was very interesting for the stageplay. We shot in Sony F55.I was camera B operator on a Algerian TV film. I had the chance to work with the DOP Allel Yahiaoui who learnt me a lot; it was very interesting!. I was DIT Assistant for the day of shooting. DIT: Peter Welch (GBCT, GTC).I was assisting both DIT and Video Departments for 4 days. DIT: - Quentin Brown (GBCT, Digital Orchad) - Stephan Bookas (Digital Orchad) Video Operator: Steve Casali. I was 1st AC on a short filmed in the old BBC Television Center location. This short was one of the four shorts shot to take part of a global project. It was a little stressful because the Black Magic died without reason after 4 takes so we ended with a Canon C100 with Canon lenses wich means no possible marks. I shot everything on the screen and I'm happy because it went well. The Cinematographer was Simona Susnea.I was 2nd AC on short film shot in Alexa and directed by Isabella Wing-Davey. It was really interesting because in was in old time costumes and we were in a amazing location: Wentworth Woodhouse and around. So it was difficult but great conditions. The Cinematographer was Neus Olle (AEC). The 1st AC was Sonia Rodriguez.I was 1st AC/digital loader on a short filmed in Canon C100. The Cinematographer was Jamie Coote.I was 1st AC/digital loader on a Gilles SERRAND self-produced short which will be broadcasted on France 2. The DOP was Olivier Tresson and the camera operator was Fanny Dujardin.I was 2nd AC/digital loader on a video clip for Dub Incorporation band. It was interesting because we did it all in green screen with a RED Epic.I was camera assistant for fragrance creators interviews for a contest organized by Mercedes.I was 1st AC/digital loader on a video clip for DD's Brothers band in the Dinemec studios in Switzerland. It was very interesting: we used a Nikon D800 with an external recording ATOMOS, a crane and motorized head which would make the same motion again and again for editing special effects.It was my second 1st AC experience. We shot in Red Epic with RED Pro Prime lenses.It was my third 1st AC experience and my first one with a steadycam. I worked with a director from the Ecole de la Cite and a DOP from the FEMIS so it was very interesting to work with student from both famous schools. We shot in Canon C300 with Canon Prime lenses.Camera tests on ARRI Alexa. 1st AC : Mathilde Cathelin (AOA) 2nd AC : Benoit Meignan. Camera tests on ARRI Alexa. 1st AC : Isabelle Duquesnoy 2nd AC : Margot Bernard. It was a video clip for the Chaos Clan band. I was 2nd AC/digital loader on a RED One-MX. It was very because we were initially in an empty barn and the Art Department just made an amazing work!. It was my first experience as a 1st AC so it was very interesting. Arthur Schwarz (the DOP) is a member of the french camera assistant association, the AOA (Assistants Operateur Associes). He was very kind and patient and he learnt me a lot of things. We shot with a Sony F3 with Leica Summilux-C lenses.It was a corporate video explaining the process of a vaccine fabrication. I was assisting the DOP on puting the light and take the material so it was not complicated. Funny thing, the DOP was the creator of the website www.nanarland.com ^^.It was the first time I worked with a Nikon D800.I worked as a stock-controller in the Camera Department. It was very interesting because I could handle a lot of professional equipment and I could meet many camera assistants.It was a low-budget self-produced short so it was hard because I was the only technician. But it was very interesting because it learnt me a lot about the light and the way of managing a director with many great ideas but no set experience. I shot with a Canon 5D Mark III.I made one week of DIT/Data manager course teached by Matthieu STRAUB (ADIT). We worked on a Tangent Devices Wave and the following softwares: - Silverstack (Pomfort), - ShotPut Pro (Imagine Products), - Media Express (Blackmagic Design), - Livegrade (Pomfort), - SCRATCH Lab (Assimilate Inc), - DaVinci Resolve (Blackmagic Design).I had to save and secure ARRI Alexa dailies for a 3 days short.I was projectionnist on a small cinema. It was very interesting because I worked on the last step of a cinema production. I worked one year with a film projector (PHILIPS-CINEMA 3837) and one year with a digital one (CHRISTIE CP2220).Once again, I shot for the Fowatile band; they were playing with the jazzman Tigran Hamasyan on the off Jazz a Vienne festival. It was very interesting: live conditions weren't easy because of the small size of the place and the large crowd but it was a very rewarding experience.During two years, I regulary made video recording of events (music, dance, theatre). It learnt me a lot about using a camera technically and artistically.I was in charge of saving and secure dailies (with Fireshoot software) on the short "Le Grand Combat" (The Big Fight). I also used to make down conversions for the director, the continuity-girl and the cinematographer so they can playback scenes quickly. The short was shot in 3D with two Red Epic, which allowed me to learn how to use RedCine Pro X software.I shot a concert of Fowatile band for their album release. It's always very intersting artistically because live conditions are spontaneous and you have to adapt on what band and public do. I shot with a Canon 5D Mark II.I was still a student at the time and I shot for three days at the convention "Le salon Octogones" in Lyon. My shots were given to "Nolife" a french TV channel to be edited and broadcasted. I shot with a Sony PD150.It was a demonstration video about Felix skills on weapons manipulation made at La Demeure du Chaos. I was in charge of creating the light with only fire. It was a very interesting experience.I was a camera assistant during "La fete des Lumieres" in Lyon. It was my first student course. I helped the camera operator by taking the tripod for instance and I started to learn camera things. We went on the top of one of the fourth tower of the Basilica of Fourviere and once there, in the highest point of Lyon, watching all the city enlighted from a point of view inaccessible to the public, I realized that was what I really wanted to do.DIT: Harry Bennett-Snewin. DIT: Paul Deane. DIT: Stephan Bookas. Video Operator: Dominic Rau. Main Unit Video Operators: - Tom Elgar - Steve Petrie 2nd Unit Video Operator: Dan Hartley. DIT: Mustafa Tyebkhan DIT Assistant: Alex McCormack. DIT: Mustafa Tyebkhan. DIT: - Gastone Ferrante - Ollie Hadlow-Martin. DIT: Gastone Ferrante Data Manager: Andrea Michelon. DIT: - Mustafa Tyebkhan - Gastone Ferrante. Video Operator: Steve Casali Video Assistant: Adam Forrest. 1 day of prep. DIT: Peter Welch (GBCT, GTC).1 day of technical tests. DIT: Peter Welch (GBCT, GTC).I worked for a week with the ARRI Vault to save and secure the footage. DIT: Peter Welch (GBCT, GTC).I was DIT Assistant during two weeks on the additional photography. DIT: Peter Welch (GBCT, GTC).2 dailies on technical tests. DIT: Peter Welch (GBCT, GTC).15 dailies. DIT: Peter Welch (GBCT, GTC).I was 2nd AC on a student short. It was amazing because we shot in ARRICAM ST, which was my first experience in film! The Cinematographer was Simon Shen. The 1st AC was Chris Steel.It was very interesting to learn how things can be different between France and UK. We worked with a Sony F5. The Cinematographer was Jackie Teboul. The 1st ACs were Anais Lorie and Nicholas Nazari.It was a commercial shot on green screen with a Red Scarlet. I was 2nd AC. The DOP was Florent Huot de Saint Albin. The 1st AC was Florent Anglade.I regulary worked in Euronews for almost two years in two different department : diffusion and technical support. On the first one, I prepared subjects which were broadcasted. For instance I mixed the level of journalists voices, I down-converted subjects for the final diffusion, I checked that there was no problems on videos. On the second department, I helped to resolve all kind of internal problems : a TV which has to be set up, a video conference camera needed to be installed, change devices, prepare news rooms for news foreign journalists by installing cables, computer... It's been very interesting technically and learnt me a lot.RF Consultant: Peter Welch RF Technicians: - Ian Bennett - Chris Cobb - Rob Walker. Offloading / Transcoding footage for Junior Williams Video Clip. DIT: Joshua Callis-Smith. Offloading / Securing rushes on LTOs. DIT: Chris Belcher. DIT: Ash Daniyan (Mission Digital). I was a Junior Technician at Camera Facilities, a rental company where I help preparing and delivering orders in one hand and work on Productions as a DIT Assistant in the other hand. DIT: Peter Welch (GBCT, GTC).I was DIT Assistant for a week. DIT: Peter Welch (GBCT, GTC).I'm in a Work Experience for 3 weeks in ARRI.Camera tests on RED Dragon and RED Epic anamorphic lenses. 1st AC : David Reinhard (AOA) 2st AC : Adrien Guillaume (AOA). Camera tests on ARRI Alexa. 1st AC : Franck Leclerc. I was 2nd camera assistant on a documentary-feature about the Hellin Tamborada in Spain. We didn't have much money so we had to think on ways to obtain results with few resources. It was very interesting to work in Spain.

Josselin Cornillon currently works in the

No Languages Available

Josselin Cornillon has prior
experience in the following industries:
Amblin Partners | Misbehaviour Productions Ltd. | Yekaterina UK Ltd. | Iconoclast | Universal Pictures | Paramount Pictures | New Line Cinema | Netflix | Legendary Entertainment | Millenium Films | The Walt Disney Company | Warner Bros. Entertainment Group of Companies | MARV BESPOKE PRODUCTIONS LIMITED | Marmelade Film Ltd. | HISTORY TV Channel | Gold Circle Films | Camera Facilities Ltd | MGM | ARRI | Listeners Projects | Artist Sarah Turner | WIGWAM Films | The London Film School | Picture Imperfect | London Film School | Media Work Production | Self-production | DACOR Productions | Gilles Serrand | ARTBREAKERZ | Compagnie DCA | Vent de Sable Productions | Imagista | Student short film | RVZ | TSF Camera | FORMASSON | Panavision | Pok Productions | Label Prod | Les Films de l'Aurore | TSF Caméra | Lapins Bleus | Tinglao Films | EuroNews | PROSONARTE | Overcom-Pictures | C Ton Film Productions | Nolife | Idéal Cinéma | CIAC (Collectif d'Initiatives Artistiques et Culturelles) | Le Monde de Félix | CSProd

Josselin Cornillon has the following professional experience:
Amblin Partners | Misbehaviour Productions Ltd. | Yekaterina UK Ltd. | Iconoclast | Universal Pictures | Paramount Pictures | New Line Cinema | Netflix | Legendary Entertainment | Millenium Films | The Walt Disney Company | Warner Bros. Entertainment Group of Companies | MARV BESPOKE PRODUCTIONS LIMITED | Marmelade Film Ltd. | HISTORY TV Channel | Gold Circle Films | Camera Facilities Ltd | MGM | ARRI | Listeners Projects | Artist Sarah Turner | WIGWAM Films | The London Film School | Picture Imperfect | London Film School | Media Work Production | Self-production | DACOR Productions | Gilles Serrand | ARTBREAKERZ | Compagnie DCA | Vent de Sable Productions | Imagista | Student short film | RVZ | TSF Camera | FORMASSON | Panavision | Pok Productions | Label Prod | Les Films de l'Aurore | TSF Caméra | Lapins Bleus | Tinglao Films | EuroNews | PROSONARTE | Overcom-Pictures | C Ton Film Productions | Nolife | Idéal Cinéma | CIAC (Collectif d'Initiatives Artistiques et Culturelles) | Le Monde de Félix | CSProd

You can view Josselin Cornillon’s LinkedIn profile at LinkedIn URL

Josselin Cornillon’s work email
addresses are
josselin.cornillon@disneycareers.com